Hold on a moment, I’ve not gone completely delusional. I do realise that this geek orgasm of a film has no chance at winning any of the big awards at a respectable show like the Oscars, no matter how much Edgar Wright directed the bejeezus out of the beast. But from a technical stand point it surely deserves some nominations for doing things a little differently and at a high level of quality and creativity.
There was a time when the film almost made it into the nominees for Best Visual Effects, rubbing shoulders with the far less original likes of Iron Man 2, but it wasn’t to be. Sadly the most visually exciting film of 2010 was not deemed worthy of a nomination.
Another area I could conceive of the film getting a nod is in sound editing/mixing (who outside the profession knows the difference?) as Scott Pilgrim is the only film in the past year where sound design has been so integral. Watch any scene and you’ll find that every eye movement or head turn is accompanied by the subtle sound of some reverb or a coffee maker steaming. Beautiful stuff!
Let’s not even get started on how the huge amount of original songs like the below got ignored in favour of Dido.