What follows is an entirely unhelpful rundown of this week’s releases. I had a Red Bull earlier in the day if that helps explain things.
Ghost Rider: Spirit of Vengeance
The Cage is back as Johnny Blaze, a man who occasionally becomes little more than a flaming skull riding around on a motorbike – and he’s the good guy. While InterRailing in Europe (maybe) Johnny Blaze is called to action to help stop the devil taking human form. If there’s one thing worse than disembodied evil, it’s embodied evil, presumably. HIS HEAD IS ON FIRE! IN 3D!
Extremely Loud & Incredibly Close
I’ve been trying to figure out why this film feels so familiar to me, then I realised that I’m constantly being told (at home, at work, on the Tube), “Tim, you are extremely loud and incredibly close, please step back.” But this film is not about my lack of respect for vocal moderation and personal space, wonderful though that film would be, instead we have a story about a young boy who is looking for a lock to go with the key left behind by his father who died during 9/11. The reviews have been brutal, but not as brutal as having me standing next to you on a train, explaining directly to your eardrum why Footloose is the greatest film ever made.
The Woman in the Fifth (limited release)
Having the most awkward film title of the week the same day that Hadewijch comes out is quite an achievement. Ethan Hawke and Kristin Scott Thomas play a scandalised lecturer and widow/potential murderer who meet in Paris and get romantically entangled.
Position Among the Stars (limited release)
“Through the eyes of grandmother Rumidjah, a poor old Christian woman living in the slums of Jakarta, we see the economical changing society of Indonesia and the influence of globalization reflected in the life of her juvenile granddaughter Tari and her sons Bakti and Dwi.”
ID:A (limited release)
Danish film about a woman who wakes up in a river with no memory and is forced to run from mysterious strangers and try to remember what is going on. We’ve all been there, I’ll never forget the time I woke up as a Danish woman in a river, it took forever to get home.
Hadewijch (London West End only)
If Wikipedia is to be believed (and when it comes to film plots it really should be) this French drama, about a fanatic Christian kicked out of a nunnery for having too much blind faith, takes a crazy turn towards the end. Shame only Londoners are allowed to see it.