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The BAFTA nominations were announced yesterday and showed plenty of love for The Artist, Tinker Tailor Soldier Spy and, in a pleasant surprise, Drive. With all nominations limited to the technical categories, Harry Potter best give up its hopes of finally getting any major awards. Less frivolous than the Golden Globes and a major stop on the way to the Oscars, the BAFTA nominations are exciting if pretty unsurprising.

Amongst this huge list what I want to focus on are the nominations for the award for Outstanding Debut by a British Writer, Director or Producer. In a time when we are looking towards the future of independent British cinema this is an uplifting category to see, especially after the devastation of Felicity Jones not making the shortlist for the Rising Star Award. I still love you Felicity, don’t worry.

Of the five nominees for Outstanding Debut, Attack the Block, Black Pond, Coriolanus, Submarine and Tyrannosaur, I have seen four and three of those made it into my carefully constructed Top 20 Films of 2011. Having five confident debuts from British talent is proof that the UK film industry has a future and that the various funding schemes are working. Looking back at yesterday’s talk of funding for production it’s interesting to see that Film4 helped fund Attack the Block, Submarine and Tyrannosaur, lottery funds went into both Attack the Block and Tyrannosaur, and Black Pond was made for just £25,000.

In my various reviews I’ve described these first-time features as intense, confident, fun, effortless, powerful, brutal and honest. What am I trying to say? Just that I’m incredibly proud of British cinema and continue to be relieved that yesterday’s report didn’t try to mess with a winning formula.

And now for the full list of nominees without comment: Read more »

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This week the nominees for the 2012 Orange Rising Star Award were announced. With voting handled by the Great British Public, this is the one time we get a say on who wins a proper award. It is our duty as UK citizens and internet based film fans to have that say and vote. Let’s have a completely objective look at the nominees.

Jessica Chastain
Appearing in no less than five films this year, Chastain has burst out of nowhere to become a big upcoming presence in modern cinema. Highlights for me include Take Shelter and Coriolanus.

Eddie Redmayne
With the look of a male Gemma Arterton about him, Redmayne has only one major release this year, and it isn’t out until tomorrow. Still, having the lead role in My Week with Marilyn amongst so many British stalwarts is impressive.

Adam Deacon
A good handful of films out this year and yet the only roles I am likely to have seen Deacon in are the two separate characters he’s played on Casualty. Anuvahood did look amusing though.

Chris Hemsworth
From Home and Away to playing Thor, God of Oversized Hammers, Hemsworth has come a long way in the past four years. FUN FACT: He also did one episode of Neighbours.

Tom Hiddleston
Hiddleston is all over the shop starring in everything from comic book blockbusters to arty family dramas, from Woody Allen to The Deep Blue Sea. His face terrifies me slightly but we shouldn’t hold that against him.

Jennifer Lawrence
Lovely Jennifer Lawrence went on from her Oscar nominated performance to play Anton Yelchin’s love interest twice and to take on the role of a blue X-Person. Soon to be heading up the Next Big Franchise, Lawrence’s star is on the rise.

Felicity Jones
HELLO! No, I must remain impartial. Since getting the nod from us early last year (way before everyone else), Jones has been on a dramatic rise topped by a win at this year’s Sundance Film Festival. Not bad for a Brummie.

Chris O’Dowd
After slogging away on Channel 4 since 2006, O’Dowd has hit the big screen three times in the past two years. It was his appearance in Bridesmaids which everyone actually noticed though, providing a much-needed core to a fun but messy comedy.

There are your eight nominees, who will you vote for? We are remaining totally impartial…

Read more »

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This should be the easiest awards recap ever as The King’s Speech won all the big awards it was up for, completely sweeping the board. Its presence was made all the stronger by the amount of other winners that hadn’t turned up so weren’t given any screen time collecting their awards. The sheer dominance of the film, and the number of awkward moments, made for a less than exciting ceremony.

The King’s Speech does deserve to win awards so it’s hard to complain, though perhaps someone other than Helena Bonham Carter should have won Best Supporting Actress, there were better performances this year. Lesley Manville in Another Year anyone?

I was surprised and pleased to see The Social Network pick up an award for directing, and the screenplay award was just plain right. Aaron Sorkin is a master who cannot be matched. These two awards allowed BAFTA to show that they weren’t too biased towards the Brits.

Speaking of bias towards the Brits, Chris Morris deservedly won Outstanding Debut by a British Writer, Director or Producer for Four Lions. With Duncan Jones winning last year this is a great award for praising unique filmmaking in Britain that might otherwise go unrewarded.

It’s a shame Andrew Garfield didn’t win the Orange Rising Star Award, but as we forgot to vote ourselves, we can’t really complain. Besides, with Inception being relegated to a collection of technical awards, it was nice to see one cast member up on stage.

It was an evening with more flubbed lines than surprise winners and is likely to be reflected at The Oscars, Portman’s win certainly will be at least.

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Before we had chance to have a proper look at the BAFTA nominations, the Oscars announced their own nominees leaving us in danger of overdoing it with the nomination coverage. In a two for one special let’s take this film by film and see where the two big ceremonies have put most of their nominations. We’ll look at each ceremony nearer the time. Read more »

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I don’t know about you but I heard endless amounts about The Runaways during it’s production and up to its release. There were production stills, on-set photos and endless interviews with everyone’s favourite angsty actress Kristen Stewart and it looked like the true Twihards would be flocking out in droves to support the actress they managed to get the Orange Rising Star award at this year’s BAFTAs.

Oddly though as The Runaways ended it’s run in America this week it had taken just $3,626,540 worldwide. Admittedly it was only on limited release but it got a lot of buzz and the Twilight connection brought it plenty of attention so there’s no reason it couldn’t have built up to more screen and made at least its budget back.

This could reveal that Twilight is all about the franchise itself and not the actors within it. Stewart has been shown to have little to no audience drawing power on her own, though perhaps her male counterparts would fare better as they are more often the target of the seemingly endless supply of screaming fangirls. It’s a shame really as Kristen Stewart is a good actress, Twilight aside, and has been in some good films. She just probably shouldn’t be the biggest name in her next feature.

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