Out Now – 9th January 2014

National Gallery

Taken 3
This time the only thing that has been taken is Liam Neeson’s self-respect. Or whatever was left of it anyway. For shame Liam, for shame.

Foxcatcher
This film begging for an Oscar or two stars Channing Tatum in a serious role, Steve Carell in a big fake face, and Mark Ruffalo trying his hardest to bring some authenticity to proceedings. Some critics adore this slow-paced thriller but I just found it dull.

Into the Woods
Fairy tales get mashed together in this big screen Sondheim adaptation. Meryl Streep does that singing we all enjoyed in Mamma Mia, Anna Kendrick does that singing we all enjoyed in Pitch Perfect, and Johnny Depp apparently ruins the film.

The Last of the Unjust
Documentary relating to the holocaust and offering “an unprecedented insight into the genesis of the Final Solution.”

National Gallery
Lasting a bum-numbing three hours this Frederick Wiseman documentary allows you to sit in on staff meetings, watch the restoration of paintings, and dip into tours as the National Gallery in London is subtly unfurled on-screen. I quite liked it but struggled a bit with the length.

Erebus: Into the Unknown
The true story of eleven police officer sent to recover the victims of a jet crashing into a mountain. In broad daylight.

Tevar
“A Kabaddi player rescues a young woman from an unwanted marriage and hides her in his home.”

Foxcatcher – LFF Review

Foxcatcher

Mark Schultz (Channing Tatum) is an Olympic wrestling gold medalist who, despite his success, is struggling to get out from under the shadow of his fellow wrestler and brother Dave (Mark Ruffalo). While training for the world championships and 1988 Olympics Mark is approached by millionaire wrestling enthusiast John du Pont (Steve Carell in heavy prosthetics) with an offer he can’t refuse. Du Pont offers Mark a home on his estate, Foxcatcher Farm, where he will have excellent training facilities, a salary, and the ability to hire whoever he likes for his team. Mark readily accepts and asks Dave to join him but Dave declines as he has a family to consider and cannot be so easily bought.

Mark is a simple man of few words and is happy to have been chosen by du Pont though suffers without his brother to train with. It is clear that du Pont is lonely as despite his wealth he has no friends and his mother (astonishingly wasted Vanessa Redgrave) is his sole remaining relative. As such du Pont sees Mark as a son and insists on Mark looking up to him as a father-figure. Eventually Dave is convinced to bring his family out to Foxcatcher Farm to work as a coach under du Pont. How he is persuaded is never really clear, nor is why Mark suddenly stops talking to du Pont. Foxcatcher is a slow burning film in which nothing happens before long stretches and when something does happen there seems to be no reason for it. This is most evident in the film’s violent conclusion, a matter of public record but not one I was aware of, which the filmmakers never seek to explain.

Foxcatcher 2

Despite being based on real events Foxcatcher does not feel authentic or logical. While there are a series of events that definitely happened writers E. Max Frye and Dan Futterman have not connected the dots effectively. The gaps between what we know to have taken place are not filled with scenes attempting to provide motivation or explanation just more tedium in which du Pont is showcased as being a little bit weird, his mother so distant she doesn’t get a single line of dialogue, and Mark as a piece of meat slowly moving from room to room. The film’s only moment of consequence, that of the final ten minutes, is actually truncated rather than fleshed out as a police capture that in reality took place over two days is taken care of in minutes. Why stretch the plot so thinly elsewhere only to rush the ending?

The BFI have described the film as a nerve-jangling thriller but I would argue that as it focusses on the relationship between an almost mute athlete and an introverted millionaire there is less a sense of foreboding and more a sense of boredom. Steve Carell and Channing Tatum both put in “proper” acting performances offering subtlety not normally present in their comedic roles but they play uncharismatic characters who, when left alone in a room together, struggled to hold attention. Let’s not even talk about Carell’s facial prosthetics and the mask-like look they give him. Mark Ruffalo is gifted the only part with any character and as such I felt nothing but sympathy for Dave being pulled into the awkward atmosphere of Foxcatcher.

Director Bennett Miller has worked hard on creating a specific tone for the film and that tone is one of being slightly uncomfortable. Imagine the sensation of not being able to get comfortable in your seat for two hours before suddenly falling off it without warning or explanation. That is Foxcatcher in a nutshell.

Foxcatcher is a humourless film populated with impenetrable characters, despite some decent acting efforts, and a plot with no rhyme or reason to it. An odd, unpleasant, and often dull film.

Foxcatcher has a UK release date of 9th January 2015 and screens at the London Film Festival on the 17th of October 2014.

BFI LFF 2014