Interstellar – Blu-ray Review

MM and MC

I’ve tried to explain to you all before why Interstellar is worth your time and now it is out on a variety of shiny discs I think it bears repeating. I’ve watched every single one of the special features so my opinion is valid and should be respected.

Film
In the near future life on earth has become almost untenable as crops fail and dust storms barrel across the landscape. Thanks to a bizarre gravitational anomaly astronaut-turned-farmer Cooper (Matthew McConaughey) stumbles across the secret residual base of NASA; an organisation now seen as frivolous in an age where farming comes before scientific exploration. After a bit of exposition from Michael Caine Cooper finds himself travelling with a small crew through a wormhole in search of a new planet that can sustain life and ensure the future of mankind. As Cooper travels on his interstellar journey his science-loving daughter Murph (Mackenzie Foy & Jessica Chastain) stays behind on Earth growing up fast without her parental unit. Thanks to the relativities of space and time as days pass in space years are flying by back on Earth. Cooper and his crew not only have to contend with running out of fuel but running out of time to find the new home for the human race.

On the big screen Interstellar was an absolute marvel. The music was original but somehow timeless, the visuals were stunning and unlike anything I had seen before, and the sheer ambition and craftsmanship from director Christopher Nolan was admirable. Though some sitting close to me disagreed it was love at first sight for me and Interstellar. It was not a perfect film but it was an experience I wouldn’t forget soon. Sitting down with the Blu-ray on my less than stellar TV I was a little nervous that the experience would be tricky to replicate.

I needn’t have worried. While I wasn’t going to be able to create the visual impact of a 70mm print at home I dimmed the lights and let the film do its work. The picture was crystal clear on my vintage flat screen with the scenes on Earth looking suitably grubby and dust-covered while the planetary visuals were sublimely realised in cold sterile clarity. My non-existent sound system even managed to do some justice to Hans Zimmer’s excellent organ-based score which lends the film a religious feel befitting a film with the fate of our species at its core.

You may despise Interstellar, some certainly do, but for those willing to turn down their scorn temporarily there are moments of real awe to be had. Even on your TV at home.

For more pro-Interstellar rambling please see my full review.

Christopher and Matthew

Extras
Once you’ve finished the film allow yourself a short comfort break before getting stuck into the special features as the two-disc Blu-ray is full of the things. Proceedings start with a 50 minute documentary about the real scientific theory that went into the making of Interstellar that will fascinate or bore in equal measure depending on just how much physics you are willing to indulge in for the sake of cinema. I can take a lot of physics so was very pleased with this in-depth look at black holes, relativity, and space-time. Lovely stuff.

From there we get no less than fourteen featurettes of decent length detailing every aspect of the production from physical and computer generated effects, through farming and simulating zero-gravity, to recording the music in an actual church. On a Christopher Nolan film as much is done without the aid of computers as possible and a lot of what I had assumed was CGI was actually done for real. It’s hard to appreciate all this while watching the film itself so the extras allow the hard work to be fully appreciated.

As with the physics I know not everyone wants to get too stuck into the behind the scenes but for my fellow nerds there is plenty to enjoy here.

Everyone else can be quiet.

Interstellar is out now on DVD, Blu-ray, and super-special-Blu-ray. Extras vary depending on which one you buy.

In Which I Blow Your Mind, Inception Style

If you have seen Inception the clips I have embedded below are about to blow your mind as you discover just where that beautifully dramatic score came from. This is not to say Hans Zimmer skimped on his job of composing but that he did so with a beautiful little easter egg. The discovery was initially made in this video, but I had to check for myself.

Listen to the clips then click inside for a little bit of me stating the obvious and maybe throwing a spoiler about. if the clips aren’t working you might have to leave Google Reader and visit the actual site.

First of all the score to Inception.

Hans Zimmer

Now Non Je Ne Regrette Rien by Edith Piaf slowed down to 32%.

Edith Piaf

And the two together.

Zimmer Piaf Mix

Now how about Hans Zimmer sped up leading into Edith Piaf?

Zimmer to Piaf

Pretty awesome, huh?

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