Next up, for those of you who are watching these films in order, is Kiki and her black magic delivery service. In some ways this is the most ‘Western’ of the Miyazaki films so far, in that it is a story about witches and talking cats instead of tree spirits and planetary energy.
We are first introduced to Kiki (Kirsten Dunst) who is a young witch living with her family in a rural house. It is nearing her 13th birthday and she is excited about spending the traditional year away from home that witches undertake as a rite-of-passage. She hasn’t found her special skill yet but is eager to learn so leaves with her talking cat (an amazing Phil Hartman) to find herself in the local city, as is tradition.
When she gets arrives she finds it hard to fit in and ends up making friends only through delivering something as a favour. This leads to her living with the pregnant baker Osono who allows her to set up a delivery service, which allows her to perfect her special witchcraft skill: flying a broom. She meets a young boy who is obsessed with flying and therefore finds her fascinating and develops a crush on her. She also meets a free-spirit painter named Ursula (Janeane Garofalo) who teaches her about painting and allows her to stay.
One night Kiki is delivering something to a rich spoilt girl and has to fly through the rain, which makes her ill. She then begins to lose her witch powers – referred to as “artist’s block” by Ursula. The rest of the film is about how she gets her powers back. The narrative is a classic teenage-girl coming-of-age story with plenty of puberty / teen angst / menstruation metaphors thrown in. The film also has some nice feminist-y moments, mostly involving Janeane Garofalo.
The animation is amazing throughout the film (as usual) and although there are no bizarre creatures to marvel, Jiji the talking cat fulfills the Miyazaki obligatory cute thing quota. What I really like about this film though is the insight it gives into Japanese relations between generations. All of the Ghibli films have a lovely elderly character in, but this film seems to show the naturalness that Japanese people have in speaking across generations. I know that this is only a cartoon – but try to imagine the same story happening in a British or American narrative and it simply wouldn’t work.