If you read the title of this latest X-Men film out loud, punctuation and all, it gets the unfortunate subtitle of “colon apocalypse” which makes me wish the film were slightly worse so I could use that as a clever “the title reviews itself!!!” remark. Alas X-Men: Apocalypse is not terrible enough to be worth of a weak diarrhea joke despite trying incredibly hard to be.
Set ten years after some of the events of X-Men: Days of Future Past, the mutants we know and love are looking very young for their age and are scattered about the globe. Professor X (James McAvoy) is preening over his academy, Raven/Mystique/Katniss (Jennifer Lawrence) is roaming the world being heroic, and Magneto (Michael Fassbender) has hung up his bad guy helmet to grow a beard and do manual labour like he’s in the series finale of Dexter. When an ancient mutant with the ominous nickname Apocalypse (Oscar Isaac) is awoken by four chanting men the end of mankind becomes a possibility and the heroes must reunite, grab some newbies, and save the world. Apart from Magneto of course who can’t resist scratching that homicidal itch and joins the baddies for a bit instead.
What follows is a bit of a mess: Beloved characters return but are sidelined by a boring bad guy, humorous interludes are laugh out loud funny but are inserted into scenes of real drama in a way that really jars, endless barrels of CGI are unloaded in a manner that becomes almost incoherent, and the 3D does little more than make the subtitles pop. There are many reasons to dislike the film; it is confusing, occasionally boring, and uses Auschwitz in a questionable way, but I still had a good time.
X-Men: Apocalypse relies heavily on the audience’s love for its cast and its characters. It even sticks in a Wolverine cameo and poaches Sophie Turner from Game of Thrones to get the fanboys onside. Director Bryan Singer does this because he thinks he can get away with it and to a large extent he can. The young cast of this more recent X-Men trilogy are all perfectly lovable and it is their presence that took me through the film. I was five films deep, ignoring Wolverine films and Deadpool for the sake of sanity, at the start of the film so genuinely care what happens to the regulars involved. It is a real shame that there wasn’t more of Fassbender, Lawrence, and McAvoy as too much time was spent with Apocalypse and his penchant for Batman & Robin style superhero costumes and not enough with the faces I had come to see.
Apocalypse wasn’t a villain with a relatable backstory or understandable plan; he was just an egotistical maniac who felt that the way to save mankind was to kill it indiscriminately. It’s a plot I struggled to get behind and it was never really explained why Magneto got so swept up in it. The film uses cheap tricks to give Magneto some motivation but considering the character’s moral yo-yoing you’d have expected him to pause before manipulating the whole earth’s magnetic fields. A good baddie needs conflict and charisma; something Magneto provides in spades but Apocalypse severely lacks.
As mentioned before the film’s tone is all over the place. I was pleased to see the return of Evan Peters’ Quicksilver but his comedic time to shine is tarnished when you pause from laughing and realise the horrific reality of what has been going on while he was running around being the very definition of a superhero. The tonal rollercoaster makes it hard to take the serious bits seriously and tricky to fully enjoy the fun bits. X-Men is a fun franchise and is at its worst when being too straight faced.
X-Men: Apocalypse makes no real sense in the context of the original trilogy of X-Men films and includes at least one character who shouldn’t be around for another decade or three. That said comics make good use of alternate realities and thanks to the last instalment’s time travel joy all manner of plot holes are fair game now.
X-Men: Apocalypse may be messy but I am grading on a curve and Batman v Superman is still a painfully recent memory. This is the weaker episode of your favourite TV show; forgivable but forgettable. Despite all the grumbling above there is an enjoyable film in a strong franchise if you look hard enough and try really hard not to think of The Mummy.