Drive – DVD Review

Ryan Gosling is an unnamed driver making his living by fixing up cars or driving them for whoever is willing to pay regardless of any moral ambiguity involved. A quiet, almost childlike figure, Gosling’s naive driver becomes involved with his neighbour (Carey Mulligan) and finds himself embroiled with dangerous criminals and reacts in a horrifically violent manner.

When I first reviewed the film I called it, “a slow, gorgeous, and tense drama” and when declaring it the 4th Best Film of 2011 I described it as, “sleek and smooth, Drive lures you into a false sense of security with its tense yet relaxing atmosphere before erupting into shockingly graphic violence.” Obviously all of this remains true of the film on DVD, it looks stunning and the unique soundtrack sounds great. If you’re looking for a great new release filled with stellar performances, a surprising plot and stylish direction then look no further.

If you’re a film nerd looking for a DVD crammed with extras then sadly you’re out of luck.

The only special feature on the DVD worth writing home about (check the post Mum) is a 40 minute interview with director Nicolas Winding Refn, but there are no documentaries or commentaries in sight. If you are truly desperate for extra content, I’m afraid two trailers and a photo gallery are going to have to suffice. I know not everyone cares about the special features but for those that do this DVD is a disappointment, especially considering the US release is much more well-endowed.

In summary, Drive is a five star film and well worth owning despite a deficit of DVD extras. Drive is out on DVD and Blu-ray on January 30th 2012.

Drive – Review

In Nicolas Winding Refn’s Drive Ryan Gosling plays a nameless driver far more at ease in the company of a car than with another human being. A mix of mechanic, getaway driver and stuntman, the driver lives a simple, uncomplicated life which begins to unravel as he falls for his neighbour (Carey Mulligan) and life suddenly becomes complex.

With Gosling’s lead role requiring almost no dialogue, it is up to the supporting cast to flesh out the piece and Drive‘s acting stable is well stocked with a talented fleet. Mulligan brings the heart as the vulnerable neighbour while Bryan Cranston offers some comic relief as Gosling’s boss. Gosling isn’t just a near-mute, his character shows almost no emotions throughout so the comedy and the heart provided elsewhere become even more important for the audience to find a connection with the film.

For the most part Drive is a slow, gorgeous and tense drama and it frequently lulls you into a false sense of security. It is when you are most relaxed, settled into a gentle dialogue scene that Drive unleashed its flashes of raw, brutal violence. These are never overplayed but always shocking, the violence at times becoming so extreme the audience couldn’t help but laugh. Rest assured this is an 18 through and through.

Shot with a true artist’s eye Drive has a B movie plot but an art house sensibility. This is an exploitation film directed as something so much better. Stunning, shocking and flawless. I loved it.

Poster Quote: The Taxi Driver of the 21st century.