Nominations – The Hits and Misses

Before we had chance to have a proper look at the BAFTA nominations, the Oscars announced their own nominees leaving us in danger of overdoing it with the nomination coverage. In a two for one special let’s take this film by film and see where the two big ceremonies have put most of their nominations. We’ll look at each ceremony nearer the time.

127 Hours – 14 Nominations
Franco, the screenplay, music and editing are all nominated at both ceremonies and could possibly pick up the majority of these awards, though Franco would have to topple King Firth first. While at the Oscars it has a Best picture nomination, at the BAFTAs there is the slightly more specialist Outstanding British Film nomination and Boyle is only nominated for directing at the BAFTAs, benefiting perhaps from the home advantage. A good reception for a film about a man stuck under a rock.

Another Year – 3 Nominations
This beauty has a meagre spattering of nominations from the two institutes. The Oscars are just recognising the screenplay while BAFTA give Lesley Manville a nod for her heart-breaking role. Shame they couldn’t find a bit more room for Another Year in the other categories.

Black Swan – 17 Nominations
Doing particularly well with the BAFTAs this film has nominations for almost all the technical awards, most excitingly for Visual Effects, always good to see something not seen as “effects heavy” getting nominated. Darranofsky and Portman get a nomination at each ceremony as does the film, cinematography and editing. Bonus points again to BAFTA for nominating Barbara Hershey for Best Supporting Actress. Shame no nod for Vincent Cassel.

Blue Valentine – 1 Nomination
More notable here for it’s lack of nominations, receiving just the one for Michelle Williams. Ryan Gosling must be a little hurt, or blue. Lol.

Biutiful – 4 Nominations
A perfect match across the ceremonies with Best Actor and Best Foreign Film nominations in both. Notable for having a lead actor nomination for the first time for a role with no English dialogue.

Exit Through The Gift Shop – 2 Nominations
In this list purely because I saw it at the weekend and though it amazing, and most likely not a hoax. Probably given one nomination for each ceremony in the hope that Banksy will turn up in person.

The Fighter – 8 Nominations
The screenplay and Amy Adams’ supporting role are the only two double nominations, with the Oscars throwing in a nomination for the film in it’s widened category and the BAFTAs nominating our nation’s own Christian Bale.

Inception – 17 Nominations
Thankfully not just getting technical nominations, Inception is also up for Best Film and Screenplay at both ceremonies with just the BAFTAs recognising Nolan’s directorial triumph. Expect plenty of technical wins but nothing for the bigger awards.

The Kids Are All Right – 8 Nominations
One of the least flashy big hitters, hence the lack of technical nominations. Instead there are double nominations for Bening, Ruffalo and the screenplay. The Oscars gives it a chance at Best Film while the BAFTAs gives Moore some deserved recognition. Yes Bening stole the show but Moore was better than Ruffalo, no?

The King’s Speech – 26 Nominations
As if winning one of our awards at the London Film Festival wasn’t enough, this British darling is doing amazingly well, probably for being a “proper” film that is actually enjoyable. Nominated at both awards for everything from acting to sound mixing The King’s Speech is the one to beat. A special note should be made of Rush’s double nominations for supporting actor as he made the film, and the undeserved nominations for Carter who is possibly just being swept up in the film’s tidal wave of praise.

The Social Network – 14 Nominations
My personal favourite of all the nominees has well deserved double nominations for film, direction, screenplay (woo Sorkin!) and Best Actor. Nice to see Jesse Eisenberg nominated, but a shame to see only BAFTA recognising Andrew Garfield’s talents. He needs all the accolades we can give him and this film deserves all it’s nominations. Best Screenplay is a must.

The Town – 2 Nominations
Another film I had expected to do a little better and oddly has different actors being rewarded for their supporting roles in the different events. Perhaps this could be an opportunity for BAFTA to give Pete Postlethwaite a farewell trophy.

Toy Story 3 – 8 Nominations
Pixar continue to break out of the technical categories and get double nods for Best Film, Best Animated Film and Best Screenplay. On a related note Day & Night absolutely has to win best animated short for being the most ingenious thing Pixar have ever done. Ever.

True Grit – 18 Nominations
The Coen Brothers always do well but the alarming lack of respect from the Golden Globes looked set to change that. No worries now that they have been showered with nominations, though Hailee Steinfeld has been relegated to supporting actress by the Oscars while the BAFTAs recognise her leading role status. Hard to say without having seen it but it’s probably awesome.

Waste Land – 1 Nomination
Another Mild Concern favourite getting the attention it deserves, carry on.

Winter’s Bone – 4 Nominations
This dark tale we haven’t seen went by the BAFTA radar but garnered Oscar nominations for acting, film and screenplay. Kudos!

And the Winner is… Golden Globes 2011

On Monday morning the Golden Globes were awarded to some deserving recipients in the film categories, and some less deserving recipients in the TV categories.

The Social Network, our 2nd best film of 2010, picked up Best Score, Best Drama, Best Director and Best Screenplay in a clear sweep of all but the acting awards. No arguments there, it is a great film that goes way beyond being a Facebook movie.

The Kid’s Are All Right did well out of the Golden Globes’ bizarre system of splitting films into drama and comedy/musical for a few categories. While the directors all go head to head the actors and films don’t have to. With The Kid’s Are All Right being classed as a comedy (not a drama?) it was an easy win in Best Comedy for the wonderful Annette Bening in Best Actress.

In the drama acting categories the vibe was set for future award ceremonies with Colin Firth and Natalie Portman taking the top honours. Two very deserving wins and two lovely acceptance speeches, now Firth is sure to get a BAFTA now and they could both do well at the Oscars.

The Fighter also did well for itself in a supporting manner, winning Best Supporting Actor and Actress in two categories that were not split into drama and comedy/musical. Not sure where the HFPA draw the line at which categories to split and which require comedians and dramatic actor to battle it out. Regardless, having not seen The Fighter, I feel like some personal favourites had their award taken from them.

Toy Story 3 won Best Animated Film in the most predictable category of the night… there really is nothing more to say on that.

TV went crazy, Glee is not the best comedy, Boardwalk Empire not the best Drama and Jim Parsons, Chris Colfer, Laura Linney and Steve Buscemi did not put in the best performances this year. Katey Sagal I can’t comment on and Jane Lynch is the exception as someone who was easily one of the best in her category. A couple of these awards looked a lot like rewarding movie actors for doing TV to encourage them to keep going, rather than judging the actual performances.

Next up: The BAFTAs!

2010’s Best 20 Films

Bank holidays are gone for a while so it’s time to look back at 2010, and then maybe look forward at 2011. I messed about with this list a lot, made some graphics, lost them and decided to simply list the films without too much flair.

These may not be the top 20 films I’ve seen this year but are the top 20 that have been released in cinemas. I think I may have already seen some of the best of 2011.

20. Harry Potter And The Deathly Hallows: Part I
This slot is more of a token than a definitive “Top 20 Film” as Deathly Hallows deserves to be highlighted for making the Potter series credible at last. It’s the film equivalent of Doctor Who, another British series to finally finding its feet in 2010. The kids can act and the plot is finally given time to unfold. Lovely.

19. Greenberg
Ben Stiller in an understated role in a film that bridged the gap between mumblecore and mainstream should get a bit of respect. It’s not going to blow you away but will certainly help heal the wounds left by the Focker franchise.

18. Piranha
The only 3D film to make it onto the list, because it didn’t take itself seriously and brought plenty of laughs, gore and boobs to the big screen. A sequel is on its way and I hope James Cameron gets invited to the premiere.

17. World’s Greatest Dad
I can’t help but love the unseen underdog, especially one featuring a comic actor giving a subdued performance. Try to see this, the darkest comedy of 2010. A must for anyone curious to see the genie from Aladdin in the buff.

16. The Kids Are All Right
It’s a comedy, it’s a drama, it’s a truly modern family! From laugh out loud funny to cry into your sleeve devastating, this is the film so many others want to be.

15. Eccentricities of a Blonde Haired Girl
Drawn in by an intriguing review, we were delighted by a hilarious and eccentric film about one young man’s love for the girl he sees from his office window. Directed in a unique fashion by a 100 year old Portuguese film-maker, you won’t see anything like it again.

14. Four Lions
A black comedy from Chris Morris was always going to be brilliant, though could possibly have been better. Still proud to see a British film this funny, brave and with no romance in sight.

13. Monsters
A subtle sci-fi with amazing effects on a shoe-string budget, and from the UK. Slightly shaky dialogue and inexperienced actors are easily masked by the sheer beauty of every shot, with the film climaxing visually in its final scene.

12. Buried
A wonderfully tense thriller all set in a tiny coffin. Ryan Reynolds proves himself as a proper actor and the ninety minutes fly by. It’s enough to make Phone Booth look like a good idea. Bonus points for having a great poster.

11. Kick Ass
After the first viewing this could have been in the top three films of the year, but a second viewing reminded me of the annoying beginning and the less than perfect lead. Still a brilliant black comedy and awesome showcase for Chloe Moretz. Shame Scott Pilgrim came along and showed how much better a comic book film could be.

10. Please Give
I may regret giving this film such a high position but it was surprisingly enjoyable and genuinely emotional. Not a film for everyone but worth a look if you’re into more subtle comedies that don’t have happy endings.

9. Up in the Air
Almost forgotten but a re-watch over Christmas brought this early gem back to my attention. Lots of good performances, an unpredictable plot and a little bit of heartbreak thrown in. If only Clooney hadn’t gone on to do The American.

8. Catfish
The most surprising film of the year and for a moment the most terrifying. If you still haven’t seen it and have managed to remain unspoiled then get watching, you’ll never add someone on Facebook again.

7. Black Dynamite
Finally another decent parody, burying the like of Date Movie simply by actually being funny. Were it not for a few familiar faces this could have come straight from the era it is parodying as the aesthetic is pitch perfect.

6. Let Me In
The highest horror on the list is a truly classy example of the genre. Not relying on fake scares, nudity or gore, we instead have a character study filled with tragedy, heart and intrigue. Chloe Moretz puts in her second performance on this list, a totally different but equally well crafted character. Arguably better than the original, this is a tale of love and horror.

5. Another Year
The most genuine film of the lot, so easily relatable and filled with characters you feel you could meet out here in the real world. Lesley Manville comes out of nowhere with a powerhouse of a performance. Heartbreaking and hilarious, a bit of a theme in 2010.

4. Inception
Lower down the list than I expected, and I’m the one who put the list together. Inception is as good as an action film can get as the usual set pieces are presented in wonderful new ways, the audience is made to think and small indie actors get their chance at the mainstream.

3. Whip It
Ranking so high for the sheer delight the film brings and the way it was overlooked by most people. The ugly poster hid away what is this year’s ultimate feel good film. Ellen Page is doing something right.

2. The Social Network
Aaron Sorkin wrote the tightest script to be released in 2010 and was lucky to have it so well taken care of. Eisenberg and Garfield made the world take notice and even Timberlake managed to impress. Not so much a tale of how Facebook came to be but a look at friendship and the price of success.

1. Scott Pilgrim Vs. The World
No surprise here considering the sheer number of times we’ve had to use the “Scott Pilgrim” tag this year. Almost perfect and equally enjoyable at every repeat viewing. Never before has a film been so carefully crafted, every cut planned years in advance and every eye movement accompanied by a subtle noise. And how this is not long-listed for best original song I have no idea. Edgar Wright has shown just what he can do when given the freedom to run wild and the cinema audiences of the world have shown why we don’t get many good films as the weakest of romantic comedies could beat it at the box office. For me 2010 will always be the year Scott Pilgrim came out and I’ll be re-watching long after 3D has it’s next revival.

So there you have it, my top 20 picks. Do you agree?

The Kids Are All Right – Review

At last I make the time to go and see The Kids Are All Right, a film with all sorts of praise that I somehow knew very little about. Admittedly I saw it a week ago and have somehow managed not to review it, because it’s hard for some reason.

It is well written, directed and acted. Annette Bening and Julianne Moore make a great natural couple and Josh Hutcherson and Mia Wasikowska are just as good as their well adjusted but curious children. Mark Ruffalo makes a wonderful idiot, filled with good intention but no real sense of responsibility.

The film is very funny for the most part but not afraid to pack the emotional punch as the drama starts to flow in a nice, understated way.

Somehow The Kids Are All Right felt like a very tactile experience, everything had texture and lacked too much gloss and glamour. Certainly worth a watch though it is a nice surprise to see Oscar buzz around a more low-key film.

Out Now – 29th October 2010

You’ve got to love autumn, good films are coming out on a regular basis. Today I’m adding three more to my watch list.

Burke and Hare
It’s going to be a pretty broad comedy with slapstick, toilet humour and comedy corpses but with this British comedy cast I can’t resist. Pegg and Stevenson reunite!

The Kids Are All Right
It’s and Oscar buzzed film with an indie feel. Two artificially inseminated children of a lesbian couple bring their biological dad into the mix.

Out of the Ashes
A documentary about the Afghan cricket team. I don’t like cricket… period.

Saw 3D
Gore and shocks, 3D and in your face. Guilty pleasure ahoy!

The Hunter limited release
A Persian language film in which a man kills some cops, then gets chased into a forest by two more cops. “They are lost in a maze, a desolate landscape, where the boundaries between the hunter and the hunted are difficult to perceive.” Blimey.

Involuntary (limited release)
A Swedish flick about people getting up to mischief.

Spiderhole (limited release)
A low budget horror featuring London student squatters as the victims. Bloody students.

This Prison Where I Live (limited release)
The Guardian says, “A brave documentary about a jailed Burmese comedian that is unfortunately stymied by the very censorship it is seeking to attack.”