Colin Farrell plays Marty a screenwriter struggling with his latest screenplay. His best friend Billy (Sam Rockwell) runs a dog-napping with Hans (Christopher Walken) and wants to help Marty with his screenplay any way he can. Events take a turn for the worst when Billy kidnaps the dog of local mob boss Charlie (Woody Harrelson) and all manner of shooting ensues. Throw in a serial killer, quaker, and Tom Waits and you have Seven Psychopaths.
Martin McDonagh has moved on from In Bruges, a relatively small film with one location and three characters, as he now deals with a cast of dozens in a film that roams from inner-city to outer-desert and incorporates many intertwining stories both factual and fictional within the film’s universe. The result is a bombastic film constantly trying to simultaneously shock you and make you smile. Seven Psychopaths desperately wants you to think it is cool and won’t stop shooting people and swearing until you are rocking in your seat laughing and giving an approving clap.
On the surface I really enjoyed Seven Psycopaths. It was funny and contained enough fodder to stop me from becoming distracted. It felt unpredictable, fun, and… Well. Then I spoke to my friend Jon (the one with the beard, not the other one):
“I didn’t really enjoy Seven Psychopaths. I was hungry at the time and I don’t cope well with being hungry so I think that factor may have biased my experience somewhat. Seeing the Jeffrey Dahmer Files about a real psychopath hours before may have also not really put me in the mood.
Is it wrong to expect a film called Seven Psychopaths to have seven psychopaths in it instead of a bunch of characters with a penchant for being violent? Of the three main characters in the film, one is a typecast stereotype, one is contrary with their actions ultimately becoming in no way believable, and it turns out the other guy used to be interesting but is now just a thief. There are two or three interesting ideas in the film but I don’t feel like they’re really explored. Instead, they’re clumsily mashed together along with copious uses of terms such as ‘fag’, lots of throw away violence, cheap laughs, and attempts at being clever that just fall too short of the mark. It’s a dumb glossy action film with one-dimensional characters that ultimately lacks any heart or soul.
Go read The Psychopath Test, watch No Country for Old Men or In Bruges instead.”
Seven Psychopaths will reach UK cinemas on 5th December 2012 and you’ll most likely love it. Just don’t go thinking about the film afterwards.